All BARTOLOMEO VENETO 's Paintings

The Painting Names Are Sorted From A to Z
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Choice	ID	Image	Painting (From A to Z)	Details
	80444		Alleged portrait of Lucrezia Borgia	Date 16th century Medium Oil on canvas cjr
	84720		Alleged portrait of Lucrezia Borgia	16th century Medium Oil on canvas cyf
	79948		Beatrice d Este	1510s Medium Oil on canvas Dimensions 75 x 56 cm (29.5 x 22 in) cyf
	79192		Beatrice dEste	1510s Medium Oil on canvas Dimensions 75 x 56 cm (29.5 x 22 in) cyf
	83681		Cleveland Museum of Art	Cleveland Museum of Art
	73294		John the Baptist	John the Baptist cjr
	75024		John the Baptist	John the Baptist Date 16th century cyf
	63841		Portrait of a Gentleman	1512 Oil on panel, 73 x 58 cm Galleria Nazionale d'Arte Antica, Rome Earlier this picture was described as a work of Leonardo. Later, the panel was attributed to Holbein. Finally, of exceptionally high quality, the painting was given to Bartolomeo Veneto by comparing it to two other portraits by the same painter, now at Houston and Washington. The proposed dating is the second decade of the sixteenth century (perhaps 1512), in the wake of Bartolomeo's sojourn in Ferrara between 1506 and 1508. Bartolomeo Veneto (Bartolommeo Veneziano) attracted attention at the end of the 19th century. He was a pupil of Gentile Bellini, he worked at the Court of the Grand Duke of Ferrara and elsewhere. There he came under the influence of LOmbard artists. The artist enriched his original Venetian pictorial language with direct exposure to the influence of Albrecht D?rer, who had been active in Venice in the first years of the sixteenth century. The figures of the knight and the soldier, visible in the background, are literally copied from a 1496 woodcut by D?rer. The identity of the sitter, however, remains a mystery. We do know, however, that he must have been a gentleman attached to the Mantuan court of the Gonzagas. Recently, it was suggested that Bartolomeo Veneto may have been the talented portraitist working in Raphael's workshop who was responsible for the faces of the chair-bearers in the Vatican Palace's Mass of Bolsena. Several inscriptions are legible in the painting: on the medal of the sitter's beret is written "Probasti e Chognovisti"; on the placard above the animal on the medal are the Greek letters epsilon and tau; and along the edge of the plaquette that decorates the sword handle, "IN(?) B:VF" and "NO SPI(E)".Artist:BARTOLOMEO VENETO Title: Portrait of a Gentleman Painted in 1501-1550 , Italian - - painting : portrait
	75161		Portrait of a Lady in a Green Dress	1530 Oil on panel 33-7/8 x 26-5/8 in. cjr
	76991		Portrait of a Lady in a Green Dress	Date 1530 Medium Oil on panel Dimensions 33-7/8 x 26-5/8 in. cyf
	40285		Portrait of a Woman	mk156 Oil on panel 43.5x34.3cm
	97208		Portrait of a Woman	between 1520(1520) and 1525(1525) Medium tempera and oil on poplar wood cyf
	4950		Portrait of a Woman kki	Oil on wood, 43,5 x 34,3 cm Städelsches Kunstinstitut, Frankfurt
	43052		Portrait of Ludovico Martinengo	mk170 dated 1530 June 16 Oil on wood 105.4x71.1cm
	79424		Ritratto Di Donna Ebrea Con Gli Attributi Di Joele	Ritratto Di Donna Ebrea Con Gli Attributi Di Joele. cjr
	82366		Ritratto Di Donna Ebrea Con Gli Attributi Di Joele	Ritratto Di Donna Ebrea Con Gli Attributi Di Joele cyf
	83511		Ritratto Di Gentildonna	Notes Cat. 39 cyf
	79736		Ritratto Di Giovane Gentiluomo	The Cleveland Museum of Art cjr
	58337		san giovanni battita	mk261 years 1510 -1520 Venice oil painting on canvas 65.5 x 40 cm Florence.
	44303		St Nicholas of Bari	Oil on canvas
	83517		The Timken Art Gallery	The Timken Art Gallery cyf
	52247		Woman Playing a Lu	1520 Oil on panel, 65 x 50 cm
	63540		Woman Playing a Lute	1520 Oil on panel, 65 x 50 cm Pinacoteca di Brera, Milan The date appears on the paper below the lute: 1520. A replica, perhaps by the artist himself, is in the Gardner Museum, Boston. The woman is represented in the guise of St Cecilia, a typical example of sixteenth-century "court art." In fact the artist worked for three years at Ferrara for Lucrezia Borgia. Bartolomeo's formation derives from Cima da Conegliano and the later work of Bellini, with influences from Leonardo, Costa and northern European art. His signature on a painting that was formerly in the Dona delle Rose collection in Venice shows how aware he was of his mixed development: "Bartolamio half Venetian and half Cremonese." He liked to paint half-figures of women, and chose subjects with strong personalities.Artist:BARTOLOMEO VENETO Title: Woman Playing a Lute Painted in 1501-1550 , Italian - - painting : genre

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